our turn to host thanksgiving
so by the time the second pair of
in-laws descend our living room
my eyes circle like spotlights
pivoting a foggy lighthouse and my
brain is a flying horse with circus
mirror synapses and my ears
aLL WHIRTE ALBUM helterskelter
and if i still smoked right
now i’d make a reason to
disappear like oh need firewood
and i’d crush the burnt orange
of a marlboro red into A BACK
PORCH ASH TRAY or if i still
DRANK i’d whisper downstairs
and take a loose screw and trace
the sexy glass lip of jack
swallow twice then pop a handful
of double spearmint tictacs
but instead i let my step-father carve
and ask about the insurance biz
and think this time i’d even take
a steel ring because trying to be
nice while you are waiting for
your ego to be deflated
is like having a concussion
and then volunteering to be
the bell and then handing out free
sledgehammers or
admitting to yourself another
year just dove from shore
and since i can’t make poetry
writing money why not confess
my sins out loud. but a tiny truth pings
a tinny brain: poetry is what you are.
as your other mother-in-law asks you
if you are going to tutor college
essays over winter break and
and as you pass the potatoes
you imagine you are in an animated
movie and your fingers form a megaphone
a phrase forms in a hollow cave of goo:
"hey, all you got? release the scorpions.”
but the real reality is usually what happens
and you haven't submitted anything since 1986
when you appeared in cottonwood next to rita dove
who was poet laureate for a while. which would
be even harder to explain to your
other mother-in-law who is wondering
how much she will have to kick
in for the turkey and mashed
but you let this go and lean over
to your wife and then out the window
and stretch and slip the brass ring into your palm
and blink twice and change the ring into car keys
and drive to the still open supermarket and feel
glum about all the sallyalmike's still working
on thursday afternoon’s eve in the freezer section
is the vanilla ice cream that the widowed aunt
needs and you forgot. and this, you think,
could ignite the rising action. almost sixty,
but you could be in the keys in one sunset if you
speed and you could sleep in a campground
or the back of the volvo or find a local
library somewhere near that hemingway
bar. and just start editing and polishing
and unlock your safe hiding forty years
of writing. I mean, what happened to you
anyways? and then you remember it’s not
easy sharing. truth. or lies. and who has
time for poetry. so seventeeth century.
so there you are stuffing your card into a slot
and check it out her name is ethel. they don't
make many ethels anymore. or ruperts. or lillians.
or edwards. and you imagine pulling a blackjack
lever cause even on a losing streak
every real poet needs a backup plan.
and you snort a bit too loud for ethel
as your eyes line up like three cherries
and she drops that classic
line, “will that be all?”